How Much is Your Soul Worth?
Jerks who pay are still jerks. You don’t have to be a slave to a paycheck, y’know.
Child of tip – philosophy

Jerks who pay are still jerks. You don’t have to be a slave to a paycheck, y’know.

You know those stories about a filmmaker who maxed out every credit card and spent all their savings and retirement in a mad gamble at success? In those stories, just as this debt is about to rebound back, the gamble pays off, the movie is wildly successful, and everything turns out great?
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Find those people who — when presented with a problem — ask “How can we make this work so we can keep moving forward?” Those are great people to have on set. Cultivate those connections.
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Storytelling and dialogue are not the same thing. If no one gets the story, it’s not because there isn’t enough dialogue — it’s because the story doesn’t make sense. In fact, if you think you might need more dialogue, you probably need less.
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It’s not necessary that you weep at your sad scenes and laugh at your comic scenes, but if you don’t with some consistency, maybe you might want to think about rewriting them.

You may run across people who try to discourage you. They may not even mean to do it, but whenever you talk with them, you’re discouraged. Your best defense is the following mantra: “Just get the shot.” Most of the folks who are discouraging are really trying to discourage themselves. Don’t buy into their limitations.
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Share cast and crew links with your gang. For example: http://www.mandy.com/

If you find out it’s someone’s birthday, take five and congratulate ’em, as a crew. Birthdays are fun.
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Always know what emotion you want your audience to feel, for every character, for every scene, and at the end of the movie. This is your compass, and as long as you follow it, you’ll always stay on track.
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