You could always use a film camera, too.
If you want your video to look like film, one of the most effective choices you can make is to light it like film.
(more…)Child of tip – Production

If you want your video to look like film, one of the most effective choices you can make is to light it like film.
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If you want to get a little experience under your belt, browsing online classifieds (such as Craigslist, Mandy, etc.) can help you find productions in your area that are crewing or casting. Usually, they pay little or nothing, but if you’re just starting to learn, this sort of experience can be invaluable.
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Find those people who — when presented with a problem — ask “How can we make this work so we can keep moving forward?” Those are great people to have on set. Cultivate those connections.
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If you’re getting a hum in your sound, replace your cables with shielded cables, or new cables, or at least don’t run them next to or across power cables. Make sure they’re properly grounded.

If you have a pyrotechnical device, never leave the arming key in the firing system if you have to walk away from it… NO EXCEPTIONS. And yes, you have an arming key, the removal of which will make the effect impossible to trigger. Of course you do.
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Don’t fight. Seriously. Yes, there will be disagreements. Yes, there will be frustrations. Yes, there will be setbacks. That is normal. But please, don’t fight about it. There’s no need to yell or shout or scream or whinge on.
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You know those little adapters that let you plug a three-prong plug into a two-hole socket? Don’t use those.
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There are a lot of things you can fix in editing, but crappy line delivery isn’t one of them.
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If you’re actors want to try a variation of a line, get the scripted line first, and then let them try their variations (assuming you have the time, of course).
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