Including conversations between takes, mind you…
Whoever’s holding the microphone boom pole needs headphones. They must be able to hear what the microphone’s picking up.
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Whoever’s holding the microphone boom pole needs headphones. They must be able to hear what the microphone’s picking up.
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When taping cables and cords down, always leave a very generous series of loops at each C-stand, tripod, or workstation. This is so you can move stuff around without retaping.
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If you don’t know who your boss is on set, then your boss is the Director. This doesn’t mean who gets to boss you around, it means who helps keep you steady-on with your piece of the big puzzle.
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ADR (depending on who you ask) is Automatic Dialogue Replacement. That’s when your actors come in to the studio and record lines over the outside crappy recording from on set. Pretty much every time you record outside, or in a noisy environment (such as a non-studio), you’re going to have to record ADR. Just plan for it.
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Always check your monitor to make sure you’re happy with your framing, but after that, watch your actors.
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If the makeup you want is going to take half an hour or an hour to apply, plan for that time. Don’t assume your makeup person is lying about how long it’ll take.
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It’s worth it to buy actual gaffer’s tape. Duct tape leaves a residue and you don’t want that residue on your gear, on your cords, on your host’s carpets, walls, or furniture. Gaffer’s tape is clean.
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When connecting one extension cord to another, or an extension cord to a light, try to always tie the cords in a knot before connecting them. That way, if the cords are pulled in opposite directions, they tighten instead of pulling loose.
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When loading shells in a mortar, try to drop them in with your non-dominant hand (if you’re right-handed, drop with the left hand). That way, if you experience Sudden Massive Tissue Loss, you still have your favorite hand.
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Your Script Supervisor is supposed to get in your face and interfere — their job is to make sure you aren’t screwing anything up. Listen to what’s being said.
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