No more secrets.
Here’s a nifty “Emergence” kind of sound: Reverse the first five seconds or so of your sound effect or music, add a little echo to it, then reverse it back. Mix that into the original beginning bit and voila!
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Here’s a nifty “Emergence” kind of sound: Reverse the first five seconds or so of your sound effect or music, add a little echo to it, then reverse it back. Mix that into the original beginning bit and voila!
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If you’re getting a hum in your sound, replace your cables with shielded cables, or new cables, or at least don’t run them next to or across power cables. Make sure they’re properly grounded.

Before you plan a shoot, record the ambient sound from the location and go somewhere else and really listen to it. Make sure you aren’t missing something that’s going to bedevil you later, such as an elevator, nearby crowd noises, crashing sounds from across the street, whatever. It’s usually easier to find a new location than to clean up crap audio.
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If you’re wearing a portable mike, learn how to shut it off before you go to the bathroom.
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Get at least one minute of clean ambient sound from every location. This is very important.
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